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                    <text>The malleability of lead made it a popular choice for building components.  Due to its low melting point, lead is rarely found fully in tact and is typically bent or twisted.</text>
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                    <text>The window maker's initials were often found on the lead casing.  This was not visible in a completed window but instead served to identify failed window makers.</text>
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                    <text>Small, diamond-paned windows with one casement opening were very common in the 17th century.  Lead bars commonly held these windows together.</text>
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                    <text>The Indian College exhibiting the symmetrical window and door placement in the Colonial style of architecture in New England.  This College served to house American Indian students.</text>
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                    <text>Windows were symmetrically aligned with doors and additional windows along the entire building.   The symmetry exhibited in the 17th century buildings can still be found in more modern buildings at Harvard.  </text>
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                    <text>This map shows the relative location of the Old and Indian College in the 17th century.</text>
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                <text>https://www.hsmcdigshistory.org/pdf/Lead.pdf&#13;
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Davis, Andrew McFarland. The Early College Buildings at Cambridge. 19th-century Legal Treatises ; No. 37138. Worcester [Mass.]: C. Hamilton, 1890.&#13;
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http://www.buildingconservation.com/articles/leadstainedglass/lead_stained_glass.htm&#13;
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https://www.wychavon.gov.uk/documents/10586/157693/wdc-planning-her-windowsleaflet1.pdf&#13;
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                <text>	Turned lead is often found on colonial sites and was used to hold glass and window frames together in the 17th century.  The size of glass panes was restricted so architects would use rods of lead to create larger windows.  Modeling the English, Harvard’s buildings typically followed a Colonial style during this time where windows had no trim or shutters.   In the early 17th century, glass was expensive and difficult to obtain in New England, making glass windows an item of luxury.  Since glass was imported from England, New England buildings with windows often only had small, diamond paned windows with one casement opening.  Glassless windows were usually filled with oilpaper.  Although generally precious at the time, Harvard invested in glass for its windows in the buildings as an attempt to pour resources into the College.   During the construction of Harvard, the College bills showed a fair amount of repairs being done on the buildings with a capped budget, however the amount spent on glass did not have a limit.   The amount of resources allocated towards Harvard, such as its glass, represented its importance within New England and the Colony more broadly.  In 1643, the College announced its mission of the college: "To advance Learning and perpetuate it to Posterity; dreading to leave an illiterate Ministry to the Churches."  Harvard’s political and religious impact on Massachusetts Bay promoted intellectual advancement in the Colony as being the first higher education institution to exist.</text>
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                    <text>Tin-glazed earthenware sherd. This ceramic sherd is distinguishable as tin-glazed earthenware by its buff pasty and shiny, fragile glaze. It is 1.9 cm long, 1.2 cm wide, and 0.4 cm thick.</text>
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                    <text>Photo taken by Emma City.</text>
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                    <text>Side profile of tin-glazed sherd. This photo of the sherd shows its very slight curvature, suggesting that the sherd may have come from a relatively flat vessel such as a plate.</text>
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                    <text>Tin-glazed earthenware plate. Although the sherd shows no evidence colorful glaze, many tin-glazed earthenware plates were decorated with elaborate designs, increasing their value. </text>
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                    <text>“Plate.” Early 18th century. The Museum of Fine Arts website. Accessed May 1, 2017. http://www.mfa.org/collections/object/plate-61768. </text>
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                    <text>Morning bever sketch. This is a 1930s sketch of an imagined 17th-18th-century Harvard student’s morning bever (breakfast). However, the tin-glazed sherd suggests that, at least at dinner, students had a more formal experience. </text>
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                    <text>Chas. A. Lawrence. c. 1936. “Food at Harvard College in the 17th-18th century.” Harvard Archives website. Accessed May 1, 2017. &#13;
http://id.lib.harvard.edu/via/olvwork365138/urn-3:HUL.ARCH:1114862/catalog.</text>
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                <text>This description and the accompanying photos discuss the largest of the five sherds of tin-glazed earthenware. This very small ceramic sherd may at first seem insignificant, but actually it helps us understand the history of dining culture at Harvard College in the early 18th century. &#13;
&#13;
This piece of tin-glazed earthenware has a very shallow curve to it, suggesting that it was once a part of a fairly flat vessel such as a plate. Tin-glazed earthenware plates became popular after around 1680 (“Tin-Glazed” 2002). And, in fact, this sherd was found in context with two pipe stems dating roughly to 1680-1710 (Hume 1969, 298). &#13;
&#13;
Tin-glazed earthenware products were made all over Europe, but the importation of any continental European ceramics to the colonies was banned from the late 17th century until after the American Revolution (Hume 1969, 141). Therefore, it seems most likely that the vessel from which with sherd came was manufactured in England. &#13;
&#13;
Until the end of the 18th century, Harvard College did very little to standardize the dishware used by students (Stubbs 1992, 501). In fact, into the 18th century, students were expected to provide most of their own dishware (Morison 1936, 28). &#13;
&#13;
If this tin-glazed earthenware sherd did come from a plate purchased by a student for his own use, then we can start to see how social class and economic means played into dining culture at Harvard. Evidence from previous excavations by the Old College suggest that locally produced redware was by far the most commonly used type of ceramic and makes up 70.6% of all ceramics (Stubbs 1992, 486). More expensive, imported tin-glazed earthenware, on the other hand, makes up only 16.3% of all ceramics (Stubbs 1992, 486). Through the early 18th century, even the dining culture at Harvard College was filled with markers of students’ social status. </text>
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&#13;
Morison, Samuel Eliot. 1936. Three Centuries of Harvard, 1636-1936. Cambridge, Mass.: Harvard University Press.&#13;
&#13;
Stubbs, John D. Underground Harvard: The Archaeology of College Life. Ph.D. dissertation, Department of Anthropology, Harvard University, 1992.&#13;
 &#13;
“Tin-Glazed.” 2002. Diagnostic Artifacts in Maryland, accessed April 30, 2017, http://www.jefpat.org/diagnostic/ColonialCeramics/Colonial%20Ware%20Descriptions/Tin-glazed.html.</text>
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                <text>Hume, Ivor Noel. 1969. A Guide to Artifacts of Colonial America. Philadelphia, PA: University of Pennsylvania Press.&#13;
&#13;
Lockwood, Luke Vincent. 1913. Colonial Furniture in America. New York: Charles Scribner's Sons.&#13;
&#13;
Christie's Amsterdam B.V. 1995. The Diana Cargo. London, England: White Bros (Printers) Ltd.</text>
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                <text>This artefact is a pipe bowl probably dating to the 18th Century, since it has two letters impressed on the bottom of the heel, which was probably a maker’s mark (Oswald, 1975). Smoking was a common habit at Harvard all through the Colonial period and after, as demonstrated by the large number of pipe stems found in digs at Harvard College and by comments in letters like the attached image from the 19th Century, decrying the ‘Evils of Tobacco.' Smoking or ‘drinking’ tobacco was explicitly banned in the College rules in the 17th Century (Loren, 2016), except in the case of medical prescription. Although in our century, we largely associate smoking with ill-health and think of it as a dangerous habit, in the 18th Century smoking tobacco was prescribed for a number of illnesses. According to one writer in 1712 (The virtues and excellency of the American Tobacco plant, 1712), smoking tobacco ‘destroys Worms in Human Bodies, and is likewise by Experience found to be a Remedy against Leprosies, Scurvy and Itch.’ Loren (2016) lists still further illnesses tobacco was thought to cure, and also points out that the use of tobacco by the English suggests exchange between Indian and European communities, as well as a shared emotional community around health and wellness. In colonial New England, health was not just a physical but also a spiritual matter. In the attached images, you can also see a poem pointing out the spiritual benefits of smoking tobacco, and how pipe-smoking can act as a spiritual experience and as a metaphor for the human soul. </text>
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                <text>Loren, D. D. (2016). Bodily protection: Dress, health, and anxiety in colonial New England. In The Archaeology of Anxiety (pp. 141-156). Springer New York.&#13;
&#13;
Oswald, A. (1975). Clay pipes for the archaeologist.&#13;
&#13;
The virtues and excellency of the American tobacco plant, for cure of diseases, and preservation of health: and the noxious qualities of the tobacco growing in Northern countries:&#13;
London: printed for R. Parker; and sold by J. Morphew, 1712.&#13;
http://name.umdl.umich.edu/004861603.0001.000 (Accessed 04/04/17)&#13;
&#13;
https://s3.amazonaws.com/atg-prod-oaas-files%2Fanth1130%2Foriginal%2F89cec367cdfa52bc94d281f330be2755.jpg&#13;
&#13;
https://s3.amazonaws.com/atg-prod-oaas-files%2Fanth1130%2Foriginal%2F5dd44dea1ccfaf8a612a06bf4dfb79ba.jpg&#13;
&#13;
Harvard College Papers Volume XXVI, January 12th 1859.&#13;
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&#13;
https://babel.hathitrust.org/cgi/pt?id=nyp.33433074856166;view=1up;seq=550</text>
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                    <text>In the hurried production of the coin, some of the 1864 minted pieces were accidentally made with a smaller motto. </text>
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                    <text>Many people, filled with uncertainty about the nation’s future, turned to religion. As such, the 2-cent coin was the first to bear the motto “IN GOD WE TRUST," which is now a standard on coins.</text>
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                <text>The 2-cent coin was only in circulation from 1864-1873. During this time period, the nation was embroiled in the Civil War and its immediate aftermath. The 2-cent coin was a departure from previous denominations and it is hypothesized that public acceptance of the coin was due to extreme shortage of coins during the War. The coin was most in demand from 1864-1866 and waned in popularity as the country recovered from the economic strifes of wartime. This particular coin was found at Harvard University, a school that was deeply affected by the Civil War. Harvard students and alumni served in the 20th Massachusetts Volunteer Regiment beginning in 1861. Harvard affiliates fought on both sides of the war and a total of 1,662 men served. Of these men, 246 died and the 20th Massachusetts regiment is known for its high casualties. Although the men of Harvard were not pressured to join the cause, many chose to enlist, as did many alumni. Classes at Harvard continued during the war and the students who survived the carnage returned to graduate with their classmates. To commemorate the sacrifice that many Harvard men made for the Union, Memorial Hall was erected and dedicated in 1874. The names of Harvard men who fought for the Union are listed on plaques that are still on display in Memorial Hall today. </text>
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                <text>Giedroyc, Richard. "Two and Three Cents: Two Cent." Home Page - PCGS CoinFact. PCGS CoinFacts, n.d. Web. 05 Apr. 2017. &lt;http://www.pcgscoinfacts.com/Hierarchy.aspx?c=670&amp;title=Two+Cent&gt;.&#13;
"History of 'In God We Trust'." U.S. Department of the Treasury. N.p., 8 Mar. 2011. Web. 05 Apr. 2017. &lt;https://www.treasury.gov/about/education/Pages/in-god-we-trust.aspx&gt;.&#13;
Ireland, Corydon. "Blue, Gray, and Crimson." Harvard Gazette. Harvard University, 21 Mar. 2012. Web. 5 Apr. 2017. &lt;http://news.harvard.edu/gazette/story/2012/03/blue-gray-and-crimson/&gt;.&#13;
"Two-cent Piece (United States)." Wikipedia. Wikimedia Foundation, 14 Jan. 2017. Web. 05 Apr. 2017. &lt;https://en.wikipedia.org/wiki/Two-cent_piece_(United_States)&gt;.</text>
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                    <text>(Davis, 1890).&#13;
Photograph taken by Rachel Harner. &#13;
&#13;
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                    <text>Harvard University. Corporation. Records of early Harvard buildings, 1710-1969. Photographic prints of the elevations and floor plans of Harvard College or "Old College" used for publication by Samuel E. Morison, February 1933. UAI 15.10.5 Box 1, Folder 9, Harvard University Archives. http://nrs.harvard.edu/urn-3:HUL.ARCH:16731670?n=1&#13;
(modified by Rachel Harner)</text>
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                    <text>Harvard University. Corporation. Records of early Harvard buildings, 1710-1969. Photographic prints of the elevations and floor plans of Harvard College or "Old College" used for publication by Samuel E. Morison, February 1933. UAI 15.10.5 Box 1, Folder 9, Harvard University Archives. http://nrs.harvard.edu/urn-3:HUL.ARCH:16731670?n=7&#13;
(modified by Rachel Harner)</text>
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                    <text>Morison’s drawing of the first floor of the Old College. Possible chimney flues are outlined, and the cellar would have been located under the west bay of the building.  </text>
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                    <text>Map by Charles W. Eliot, 2nd. Cambridge Historical Society. 1971. http://www.cambridgehistory.org/content/romance-brick</text>
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                    <text>This is Massachusetts Hall today. Still used as a dormitory, the building is the second-oldest academic building still in use in America, its bricks having withstood 300 years of wear.</text>
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                    <text>Harvard College Freshman Dean's Office. 2017. http://fdo.fas.harvard.edu/pages/ivy-yard</text>
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                <text>Davis, Andrew McFarland. “The early college buildings at Cambridge. From Proceedings of the American Antiquarian Society, April 30, 1890." Worcester, MA: C. Hamilton, 1890.&#13;
&#13;
Harvard University. Harvard College Records. Boston: Colonial Society of Massachusetts, 1925.&#13;
&#13;
Leighton, Henry and Heinrich Ries. History of the Clay-Working Industry in the United States. New York: J. Wiley &amp; Sons, 1909.&#13;
&#13;
Long, Burton G. "The Romance of Brick. Read at a meeting of the Cambridge Historical Society, March 28, 1971." Cambridge, MA: Cambridge Historical Society, 1978.&#13;
&#13;
Stubbs, John Delano Jr., Ph.D. “Underground Harvard: The archaeology of college life.” PhD diss., Harvard University, 1992.</text>
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                <text>Though the Harvard of today is recognized the world over for its iconic red brick architecture, the first purpose-built structure, the Old College, was undoubtedly constructed of wood, with 4,000 boards purchased in 1642 to side the building as it neared completion (Davis 1890). This means that the bricks uncovered in our excavation served very specific purposes, likely either as part of a chimney or the cellar, which excavations in the mid-1980s discovered had a brick floor (Stubbs 1992). The decision to construct such a monumental building from wood was likely influenced by Massachusetts’ prolific timber trade, since bricks at this time were still largely imported from England as ballast in the bottom of ships (Long 1971). However, early Harvard College records include a £2.15 charge for brickmakers, suggesting the bricks used in the construction of the Old College were some of the first made in what was quickly becoming a major new industry (Stubs 1992). In fact, the first house in Massachusetts made entirely of brick was erected in Boston in 1638, two years after the first land grant for brickmaking was issued (Reis, Leighton 1909). The premature deterioration of the Old College, which by 1679 is only referred to in the past tense, coupled with rapidly expanding local brick production, surely played a deciding role in the choice to construct the neighboring Indian College (1655) and still-standing Massachusetts Hall (1720) with brick, cementing (literally and figuratively) the association of Harvard to red clay bricks just like this one (Davis 1890; Reis, Leighton 1909). </text>
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                    <text>This photo illustrates the differences between red clay tobacco pipes that have molds on their bowl compared to the plain ones like the one we discovered in Harvard Yard.</text>
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The Coolidge Room, Randolph Hall, Adams House, Harvard College.</text>
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                <text>This pipe was likely produced in the Pamplin area of Virginia, which indicates that not only that Harvard students broke the school’s smoking rules in the 17th century, but also that they invested in the endeavor. Although a large majority of people smoked tobacco daily in this time period (Hume, 1970), it was very uncommon for a student to own a red clay pipe during colonial New England, which implies that this student went to great lengths to display that he came from a wealthy background. Social status dictated most areas of life at Harvard during the 17th century such as which buildings students lived in, where they ate and whether they were admitted to the college in the first place (Hall, 1856). Social status could be differentiated from smoker to smoker through the material of the pipe and the engravings or lack of on the pipe bowl. Tobacco was very inexpensive during this time period so it was common for most people to indulge recreationally, medicinally and even as a food substitute. &#13;
The fact that there are no engravings or molds on this particular bowl suggests that the owner of it was not of exuberant wealth to pay for an intricate design. Of course, just as in the present day, the rules at Harvard then still prohibited the use of tobacco on campus and in dorm rooms. </text>
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                <text>Hume, Ivor Noel. 1970. “A Guide to Artifacts of Colonial America”. the University of Michigan: Alfred A. Knopf.&#13;
&#13;
Hall, Benjamin H. 1856. “A Collection of College Words and Customs”. Cambridge: John Bartlett.&#13;
&#13;
Capone, Patricia &amp; Elinor Downes. 2004. “Red Clay Tobacco Pipes: Petrographic Window into Seventeenth Century Economics at Jamestown, Virginia and New England.” In S. Lafferty &amp; R. Mann (Eds). Smoking and Culture: The Archaeology of Tobacco Pipes in Eastern North America. “ Univ. of Tennessee Press.</text>
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                    <text>Drinking alcohol at the taverns was not suitable behavior for  young men at the College in 1799; therefore, the men were forced to pay a fine. </text>
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              <text>Object is a fragment of a tavern glass. It is clear, but has a grey cast and is smooth to the touch. The rim of its bottle is circular and appears to be a part of a larger drinking vessel. The glass also appears to be uneven, giving clues that it was handblown. </text>
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                <text>Since glassmaking was the first industry in America, glass artifacts are able to reveal many clues about early Americans’ daily lives, social hierarchy, and the beginnings of Harvard. This glass shard was once a part of late 18th century tavern glass, often referred to as a “thumper”. In a 18th century Colonial American tavern, or an “ordinary” as it was referenced in Puritan Massachusetts, the thumper was filled with varying alcohols ranging from beers and ciders to wines and mixed drinks; however, rum was the staple of every tavern since it was a liquor that was unique to the colonies. Although one of the primary functions of the tavern was to carry on the traditions of British drinking, the early taverns surrounding Harvard had stricter practices on drinking and drunkenness was strongly looked down upon with the dominating Puritan culture of the time. Drinking out of this piece of clear flint glass with a grey cast, members of each social and economic class were able to engage in discussion and form a community in a Puritan Massachusetts ordinary, although some communities did not welcome Native Americans or African Americans. The 18th century men of Harvard could often be found at the tavern on Dunster Street discussing politics, their academics, or the latest gossip going around the College. Although it is a small piece of flint glass, this artifact signifies a community formed within an ordinary that was made up of differing social classes and that allowed discussion of politics, society, and travel to prosper.  &#13;
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                <text>Daniels, B. C. (2005). Puritans at play: leisure and recreation in colonial New England. New York: Palgrave Macmillan.&#13;
&#13;
Field, E. (2007). The colonial tavern: a glimpse of New England town life in the seventeenth and eighteenth centuries. Place of publication not identified: Kessinger Publishing.&#13;
&#13;
Howe, D. W. (1899). The Puritan republic of the Massachusetts bay in New England. Indianapolis: Bowen-Merrill.&#13;
&#13;
Struzinski, Steven (2002) " The Tavern in Colonial America,"  The Gettysburg Historical Journal: Vol. 1, Article 7.&#13;
&#13;
https://iiif.lib.harvard.edu/manifests/view/drs:47007688$6i&#13;
&#13;
https://iiif.lib.harvard.edu/manifests/view/drs:51409343$4i&#13;
&#13;
http://www.jeffnholantiquebottles.com/webpages/Item6841.html</text>
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                    <text>Waiters of Memorial Hall 1890. Along with economic call divides, racial class divides were also propagated in Harvard’s dining halls. In this image most waiters were of African-American decent. </text>
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              <text>Noel Hume’s recount of the evolution of the wine bottle allows us to conclude that this wine bottle fragment we excavated was most likely from a bottle in the 19th century. The wine bottle fragment we found has a narrow body and medium size kick up and these characteristics correspond to a 19th century wine bottle.  </text>
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                <text>During the 19th century, some students at Harvard could barely afford to eat as is evidenced by students’ inability to find decent and affordable food after the closure of dining halls in 1825. The excavation of this wine bottle draws attention to divide between the lower and upper class with respect to dining and drinking. Some students were members of social/dining clubs and could afford to drink expensive wines, whereas others could barely afford the Harvard dining hall. In 1807 students engaged in a rebellion against the dining services at Harvard, stating “their biscuits were bad and coffee bitter” and because of this pushback the college eventually closed their dining halls in 1825 and allowed students to dine outside the college. Image 1 depicts a satirical picture of food fights in the dining hall to emphasize the protest of dining hall conditions. While some students could afford to be part of social dining and drinking clubs such as the porcelain club, the fly club and the AD club when Harvard dining halls closed, many could not afford the cost that came with the dining hall closure.  The college realized that students from less privileged backgrounds needed Harvard dining services so reopened The Harvard dining association in 1874. This narrative demonstrates how although our excavation of wine bottles may lead us to believe that students were wealthy and could afford alcoholic beverages, this may have not actually been the case. Many students struggled to find food at economical costs and therefore were probably unable to carouse and drink with their classmates. Therefore, a deep divide must have existed between those of the upper class who could were privileged enough to afford the luxury of drinking and those who were not. Some students of a lower class may have felt alienated from those that were from a more elite group because they could not afford to drink and socialize with wealthier students. </text>
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                <text>Hume, Ivor Nöel. 2001. A Guide to Artifacts of Colonial America. University of Pennsylvania Press, 2001. Page 60-70.&#13;
Harvard University. Harvard Commons Records, 1686-1829. UAI 15.250, Harvard University Archives. http://oasis.lib.harvard.edu/oasis/deliver/deepLink?_collection=oasis&amp;uniqueId=hua09011&#13;
Harvard University. The History of Food and Dining at Harvard, July 25th 2016,  http://guides.library.harvard.edu/hua/Food_Dining&#13;
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                <text>Griffin, Jessica. 2014. “Hood’s Sarsaparilla, Lowell, MA.” Old Main Artifacts website, January 21. Accessed March 25, 2017. https://oldmainartifacts.wordpress.com/2014/01/21/hoods-sarsaparilla-lowell-ma/.&#13;
&#13;
Hume, Ivor Noël. 1969. A Guide to Artifacts of Colonial America. New York: Knopf.&#13;
&#13;
Lindsey, Bill. 2016. “Bottle Typing/Diagnostic Shapes: Medicinal/Chemical/Druggist Bottles.” Society for Historical Archaeology website, November 20. Accessed March 25, 2017. https://sha.org/bottle/medicinal.htm.</text>
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&#13;
This bottle was produced by C.I. Hood &amp; Co. of Lowell, Massachusetts. The company was founded in 1875, and produced a number of medicines including sarsaparilla (Griffin 2014). Hood’s and its main competition, Ayer’s Sarsaparilla, were some of the biggest pharmaceutical advertisers of the late 19th and early 20th Centuries, when sarsaparilla use started to become less medicinal (Lindsey 2016). &#13;
&#13;
In the early colonial period, pharmaceutical bottles were characterized by conical kick-ups that flattened by the mid-19th Century (Hume 1969, 73). Rectangular glass bottles with indented panels were popular throughout the 19th Century, with embossed words appearing at the height of the patent medicine boom in the second half of the century (Lindsey 2016). Regulations on drug labeling and manufacturing didn’t arise until the Pure Food and Drug Act of 1906, so most early patent medicine bottles (such as this one) were embossed with the contents and name of the manufacturer (Lindsey 2016).</text>
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                <text>Tucked away in the far south of the White City was the Anthropology Building. While the Fair opened to the public in May 1893, construction delays resulted in the opening of the Anthropology Department in July, months after the Fair opened to the public. The outdoor exhibits, however, had opened on time and fairgoers could view Navajo weavers and meander through a Penobscot Village. &#13;
Armed with a budget of $100,000, Putnam relied on personal and professional relationships to develop the Anthropology Building. He commissioned nearly 100 field researchers and collectors to amass collections that were used to create 314 exhibits of objects, mannequins, and dioramas inside the building. The result was a comparative, sensory-rich display of the world’s people, past and present. Boas was Putnam’s second-in-command, focusing his efforts on creating the Kwakwaka’wakw (Kwakiutl) Village outside the building and the physical anthropology lab inside the building, which featured photos, human remains and measurements of Native American children as well as an area where the fairgoer could be measured.&#13;
&#13;
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