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                <text>Kyle Sanok; Annie Lynch</text>
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              <text>It has a pontil mark.</text>
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                <text>This glass fragment was from what seems to be the bottom of a medicine glass. This bottle from the shape, pontil mark, and depth of discovery seems to be from late 17th or early 18th century. It seems to be a medicine bottle due to the size, shape, and slight green hue. The bottle size does not seem to show that it was angular at the top. The size of the bottle indicates that it was not used as a glass but rather as a vessel to store something. This bottle does not seem like it would be ornate or have heavy branding of the vessel. This is why it seems as though the local doctor or pharmacist was using this bottle to sell or give medicine to their patients to keep and store their medicine. At the time, there was not much access to doctors so people would have to live with pain and ailments due to the isolated nature of the early colonial New Englanders which leads people to have to store medicines in these glass bottles to self-treat and diagnose. Health concerns affected people of all social and economic status which is why medicine bottles would be found for most homes.&#13;
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                <text>Source 1:&#13;
https://sha.org/bottle/medicinal.htm&#13;
Over the years, medicine bottles changed shapes and colors depending on the branding to the pharmacist. Before the Pure Food and Drug Act, the branding and drug information available was up to the pharmacist.&#13;
&#13;
Source 2:&#13;
http://colonialnorthamerica.library.harvard.edu/spotlight/cna/feature/medicine-in-colonial-north-america&#13;
Doctors in early colonial North America were also businessmen. Selling these medicines and their bottles was very important due to how isolated people tended to be.&#13;
&#13;
Source 3:&#13;
Noël Hume, Ivor. Historical Archaeology. 1st Ed.] ed. New York: Knopf : Distributed by Random House, 1969.&#13;
Medicine bottles over time have changed in shape and form. In the early seventeenth century, medicine bottles were often made in England. As time went on, the bottles became more angular.&#13;
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                    <text>A composite image of the front and back of the copper alloy shank button, with scale.</text>
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                    <text>Photo taken and edited by the author with the help of Wade Campbell.</text>
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                    <text>The Massachusetts Bay Colony legislature codified Puritanical attitudes toward adornment in the seventeenth century (Whitmore 1889, 123).</text>
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                    <text>Whitmore, William Henry&#13;
1889 The Colonial Laws of Massachusetts: Reprinted from the Edition of 1660, with the Supplements to 1672. Boston, MA.</text>
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                    <text>This advertisement by merchant Abigail Whitney reflects the increased commercialism of eighteenth century Boston, as well as the popularity of adornments and the amplified public roles of women (Massachusetts Gazette Extraordinary 1768).</text>
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                    <text>Massachusetts Gazette Extraordinary&#13;
1768 “Imported from London, By Abigail Whitney.” Massachusetts Gazette Extraordinary, March 31.</text>
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1765 John Hancock. Painting, Museum of Fine Arts, Boston, MA.</text>
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                <text>We live in changing times. A little over a century ago, the Massachusetts legislature expressed their “utter detestation &amp; dislike, that men or women of mean condition, should take upon them the garb of Gentlemen by wearing gold or silvar lace, or buttons, or points at their knees, or to walk in great boots” (Whitmore 1889, 123). Just this morning, however, I visited Abigail Whitney’s shop on Union Street, where I found “white Lace... Ribbons, twist &amp; mettal Buttons... shirt Buttons, Horn and Ivory Combs… English Shoes and Clogs,” and countless other adornments (Massachusetts Gazette Extraordinary 1768)! The Puritans might have shunned Abigail’s commercial extravagance, but I certainly appreciate her low prices and wide selection of adornments. I first learned about Abigail’s shop when she advertised in the Massachusetts Gazette. I took the advertisement as a testament to her business prowess–– there are quite a few women merchants in Boston, but few have the means to advertise in such prominent publications (Keyes 2018). The copper alloy shank sleeve button that I purchased from Abigail is nothing fancy, but it will help me look the part of an aspiring gentleman. I dream of one day being mistaken for John Hancock, who like me rose from impoverishment to study at Harvard College. John Singleton Copley’s recent portrait of John Hancock in his home on Beacon Street features him in a gorgeous navy blue frock coat with over a dozen exquisite buttons (Copley 1765). Many Bostonians look to John Hancock as a commercial or political leader, but I see him as a fashion icon!</text>
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                <text>Copley, John Singleton&#13;
1765 John Hancock. Painting, Museum of Fine Arts, Boston, MA.&#13;
&#13;
Fairfax County Archaeological Research Team&#13;
2017 “Eighteenth Century Buttons.” C.A.R.T. Archaeology website, February 3. Accessed April 5, 2019. https://cartarchaeology.wordpress.com/2017/02/03/eighteenth-century-buttons/.&#13;
&#13;
Hinks, Stephen&#13;
1988 A Structural and Functional Analysis of Eighteenth Century Buttons. Thesis, College of William and Mary.&#13;
&#13;
Keyes, Carl Robert&#13;
2018 “March 31.” The Adverts 250 Project website, March 31. Accessed April 5, 2019. https://adverts250project.org/2018/03/31/march-31-3/.&#13;
&#13;
Loren, Diana&#13;
2016 “Bodily Protection: Dress, Health, and Anxiety in Colonial New England.” In The Archaeology of Anxiety: The Materiality of Anxiousness, Worry, and Fear. Jeffrey Fleisher and Neil Norman, eds. Pp. 141-156. New York: Springer.&#13;
&#13;
Massachusetts Gazette Extraordinary&#13;
1768 “Imported from London, By Abigail Whitney.” Massachusetts Gazette Extraordinary, March 31.&#13;
&#13;
Whitmore, William Henry&#13;
1889 The Colonial Laws of Massachusetts: Reprinted from the Edition of 1660, with the Supplements to 1672. Boston, MA.</text>
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                    <text>Sarsaparilla Patent Medicine Bottle Fragments (Peabody 2018.24.153).</text>
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                    <text>Children and pregnant mothers were often included on trade cards to signal the family-wide appropriateness of sarsaparilla. Images of youth enhanced the perception of longevity offered by patent medicine.</text>
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                    <text>Ayer, James C. (Manufacturer). "Trade card for Ayer's Sarsaparilla, Dr. J.C. Ayer &amp; Co., Lowell, Mass, undated." Historic New England, https://hne-rs.s3.amazonaws.com/filestore/1/4/0/1/7/3_5db1a444c8edce7/140173scr_7a98622f3fa9326.jpg.</text>
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                    <text>Medicinal advertisements employed half-truths: It is likely that many Hood’s Sarsaparilla users had also recovered (naturally) from their ailments. Causal studies would not appear until the advances of twentieth-century statistics.</text>
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                    <text>Hood, Charles I. (Manufacturer). "In the Light of its Record of Cures take Hood's Sarsaparilla, 1896." Philadelphia Museum of Art, http://www.philamuseum.org/collections/permanent/228791.html?mulR=287.</text>
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                    <text>Patent medicine advertising drew power from its ubiquity. Even in Olean, NY (a town of 4,000 in the 1890 census), Hood’s Sarsaparilla would have been available at a local pharmacy.</text>
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                    <text>Hood, Charles I. (Manufacturer). “The Olean Democrat., March 10, 1887, Page 5, Image 5.” New York State Historic Newspapers, http://nyshistoricnewspapers.org/lccn/sn92061812/1887-03-10/ed-1/seq-5/image_681x463_from_1700,4075_to_4413,5920.jpg.</text>
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              <text>The largest fragment features the letters "LOW" (partial "W") and "MAS" on two lines. A distinct possibility is noted of the object matching sarsaparilla bottle fragments found during the 2016 excavations (Peabody 2016.29.61).</text>
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                <text>These aqua bottle fragments offer a glimpse into late nineteenth century medicinal advertising. Among many lucrative patent medicines was sarsaparilla, marketed as a "blood purifier" offering relief from anemia, indigestion and skin diseases, among other afflictions (Estes 1988, 6). Producers without formal medical training employed "medical propaganda" to promote sarsaparilla in calendars, almanacs, coloring books and other paper advertisements; by the late nineteenth century, most medical journals advertised patent medicines and physicians frequently prescribed them (Dykstra 1955, 402).&#13;
&#13;
This bottle was likely manufactured by either C.I. Hood &amp; Co. or the James C. Ayer Company, which were both headquartered in Lowell, Massachusetts. The rival producers held substantial commercial influence: By the 1890s, Ayer distributed over 16 million annual copies of its almanac in 21 languages; Hood’s annual advertisements during the same period numbered 25 million, making it the largest user of U.S. mail in Lowell (Estes 1988, 8; Griffin 2014).&#13;
&#13;
Sarsaparilla advertisements often included chemical formulas to convey authority; others selectively quoted biblical verses, most notably Leviticus 17:11— "the life of the flesh is in the blood" (Estes 1988, 8, 11). Manufacturers often trademarked sarsaparilla rather than patenting it, which would have required disclosure of the 18% alcohol solution generating disproportionate financial returns (Dykstra 1955, 403, 406). &#13;
&#13;
The fragment’s raised lettering—which had appeared in medicine bottles by the late eighteenth century—serves as one example of the medical texts that permeated nineteenth-century Bostonian life (Hume 2001, 75). Whether advertised in newspapers, calendars or in glass, it would not be until the 1906 Pure Food and Drug Act that proprietary medicines were placed under strict federal oversight.</text>
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                <text>Dykstra, David L. "The Medical Profession and Patent and Proprietary Medicines during the Nineteenth Century." Bulletin of the History of Medicine 29 (1955): 401-419.  &#13;
&#13;
Estes, J. Worth. "The Pharmacology of Nineteenth-Century Patent Medicines." Pharmacy in History 30, no. 1 (1988): 3-18.&#13;
&#13;
Griffin, Jessica. "Hood’s Sarsaparilla, Lowell, MA." Old Main Artifacts. https://oldmainartifacts.wordpress.com/2014/01/21/hoods-sarsaparilla-lowell-ma/. &#13;
&#13;
Hume, Ivor Noël. 2001. A Guide to the Artifacts of Colonial America. Philadelphia: University of Pennsylvania Press. </text>
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These 1655 college laws showcase how Harvard’s Puritan beliefs manifested in stringent rules for student behavior.&#13;
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                    <text>Harvard University. Corporation. 1655. “Laws and Statutes of Harvard, 1655-1890.” https://iiif.lib.harvard.edu/manifests/view/drs:50738105$21i.&#13;
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                    <text>Law, Heather, Guido Pezzarossi, Stephen Mrozowski, and David Landon. 2008. “ARCHAEOLOGICAL INTENSIVE EXCAVATION Hassanamesit Woods Property The Sarah Boston Farmstead, Grafton, Massachusetts The Hassanamesit Woods Management Committee Submitted to: The Town of Grafton, MA The Nipmuc Nation.” Boston Cultural Resource Management Study No. 26. The Andrew Fiske Memorial Center for Archaeological Research at the University of Massachusetts, Boston. https://www.grafton-ma.gov/sites/graftonma/files/pages/2008_fiske_hassanamesit_woods_report14_1.pdf.&#13;
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                    <text>This conjectural image of the Old College provides insight into how the diamond pane windows that these glass fragments were likely from may have appeared within the larger Old College building. &#13;
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                    <text>Shurtleff, Harold Robert. 1668. Collegium Harvardianum Cantabrigiae in Nova Anglia, A.D. MDCLXVIII [Map, 1935].&#13;
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                    <text>This Harvard disciplinary file describes Tudor’s breaking of a tutor’s window after his speech lamenting the unfairness of a new recitation rule.  &#13;
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                    <text>Harvard University. 1768b. “Records of the Faculty Relating to Disorders, 1768-ca. 1880s. Evidences vs Tudor.” http://nrs.harvard.edu/urn-3:HUL.ARCH:11189983?n=1.&#13;
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                    <text>Harvard University. 1768a. “Records of the Faculty Relating to Disorders, 1768-ca. 1880s. Evidences against Tudor.” http://nrs.harvard.edu/urn-3:HUL.ARCH:11189986?n=1</text>
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                <text>Because it was found in the same stratigraphic layer as what we believe is the Old College’s foundation trench, this array of broken glass likely dates to the seventeenth century Old College building. The characteristics of the glass are difficult to discern due to the small pieces of the fragments; however, given that windows during the time of the Old College were usually diamond-shaped, its likely that the window’s original form was a diamond (Hume 1970, 233; Stubbs 1992, 436). These seventeenth century diamond-paned windows discovered in eastern Massachusetts provide insight into how the glass fragments may have looked in their diamond-pane frame (Law et al 2008, 59). Additionally, this conjectural map of Harvard Yard provides insight into how the diamond pane windows may have appeared within the larger Old College building (Shurtleff 1935).&#13;
&#13;
These glass fragments shed light on student rule-breaking during early Harvard. Steeped in the Puritan belief that humans were naturally depraved sinners and that the devil was constantly at work, Harvard’s administration sought to forbade disorderly conduct by students, banning “drunkenness, fighteing, sweareing, curseing, filthy, speakeing profanes, reveling, playing at cards and dice, or such like” in the Harvard College Laws of 1655 (Mather 1639, 1-18; Godbeer 1989, 50-95; Chauncey et al. 1655, 12). Yet, students would often break the windows of tutors to signal their displeasure with college rules; during the seventeenth century there were six different “student riots and window breaking sprees” (Stubbs 1992, 96). An account of a later window breaking incident from 1768 can provide insight into the reasons that students broke tutor’s windows. Angry at a new recitation rule imposed by tutors, one student, William Tudor, is listed in Harvard’s disciplinary files as making “a long speech putting forth the unreasonableness of the regulation.” (Wright 2017, 1-1ii; Harvard University-a 1768, 1). Tudor escalated his actions against a tutor to window breaking; a separate Harvard disciplinary files reads that after his speech he proceeded in the “breaking of W Willards windows” (Harvard University-b 1768, 1). Perhaps these glass fragments come from a similar incident!&#13;
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                <text>Cotton Mather and Salem Witchcraft ... Reprinted from the North American Review, Etc. 1869.&#13;
&#13;
Godbeer, Richard. 1989. “The Devil’s Dominion: Magic and Religion in Early New England.” Ph.D., United States -- Massachusetts: Brandeis University. http://search.proquest.com/docview/303735908/abstract/7FAC6283DD6C46A1PQ/1.&#13;
&#13;
Harvard University. 1768a. “Records of the Faculty Relating to Disorders, 1768-ca. 1880s. Evidences against Tudor.” http://nrs.harvard.edu/urn-3:HUL.ARCH:11189986?n=1.&#13;
&#13;
———. 1768b. “Records of the Faculty Relating to Disorders, 1768-ca. 1880s. Evidences vs Tudor.” http://nrs.harvard.edu/urn-3:HUL.ARCH:11189983?n=1.&#13;
Harvard University. Corporation. 1655. “Laws and Statutes of Harvard, 1655-1890.” https://iiif.lib.harvard.edu/manifests/view/drs:50738105$21i.&#13;
&#13;
Law, Heather, Guido Pezzarossi, Stephen Mrozowski, and David Landon. 2008. “ARCHAEOLOGICAL INTENSIVE EXCAVATION Hassanamesit Woods Property The Sarah Boston Farmstead, Grafton, Massachusetts The Hassanamesit Woods Management Committee Submitted to: The Town of Grafton, MA The Nipmuc Nation.” Boston Cultural Resource Management Study No. 26. The Andrew Fiske Memorial Center for Archaeological Research at the University of Massachusetts, Boston. https://www.grafton-ma.gov/sites/graftonma/files/pages/2008_fiske_hassanamesit_woods_report14_1.pdf.&#13;
&#13;
Mather, Cotton. 1991. “A Discourse on the Power and Malice of the Devils.” In Cotton Mather: Historical Writings. Library of American Puritan Writings ; v. 23. New York, N.Y.: AMS Press.&#13;
&#13;
Noël Hume, Ivor. 1970. A Guide to Artifacts of Colonial America. Knopf,. &#13;
&#13;
Peabody, Stephen. 2017. Pedagogues and Protesters:The Harvard College Student Diary of Stephen Peabody, 1767-1768. Amherst: University of Massachusetts Press in association with Massachusetts Historical Society.&#13;
&#13;
Shurtleff, Harold Robert. 1668. Collegium Harvardianum Cantabrigiae in Nova Anglia, A.D. MDCLXVIII [Map, 1935].&#13;
Stubbs, John Delano. 1992. “Underground Harvard: The Archaeology of College Life.” 1992.&#13;
&#13;
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              <text>In a quiet town in the West Midlands of England in the late 1600s, a potter spins a wheel of clay. Amidst the bustling factory, he hones in on his trademark speciality, a manganese-mottled tankard. The finished product has a smooth rim, with dark purplish brown flecks and streaks of manganese (Jefferson Patterson Park and Museum 2008). Accompanied by a caramel brown lead glaze, this tankard’s elegance is found in its simplicity. &#13;
These black mugs and tankards gained popularity beginning in the 17th century (Hume 2006). Many manganese-mottled tankards journeyed from the potter’s wheel in the West Midlands to colonial towns such as Charlestown. For these young colonies, taverns were centers of community life and it is likely that a manganese-mottled tankard would have found its way there. As songs played in the background, citizens could often be found socializing over tankards of beers and smoking pipes. &#13;
The Three Cranes Tavern in Charlestown and the Goody Bradish Tavern right next to Harvard were familiar spots for many a Harvard man (Morrison 1936). The Puritan leaders of the time attempted to control drinking and smoking by outlawing them from the Harvard campus. In fact, both drinking and smoking were explicitly outlawed in the College Book of Laws (College Book 1636). When students wanted a drink, many would come to these taverns. Today, we have some records that depict what taverns in the 17th century were like. For example, Dutch painter David Teniers has manifested the frivolity and light-heartedness of taverns in his painting “Smokers and Drinkers” (Teniers 1660). These taverns were the precise antithesis of the stern and austere Harvard institution of the time. &#13;
Manganese-mottled earthenware was eventually made in the colonies, and by the 18th century, it had become much more ubiquitous. Students at the College brought their own vessels to use, and their vessel of choice often corresponded with their socioeconomic status. Manganese-mottled earthenware speaks to both the traditional table at Harvard, which was defined by scheduled meal times and socioeconomic hierarchy, and it also speaks to the other, more licentious Harvard experience that took place in taverns. Today, it is likely that sherds of manganese-mottled earthenware are located below our feet in Harvard Yard. Perhaps some originated from the West Midlands and perhaps some traces back to the Three Cranes Tavern; however, it is clear that no matter the origin, this ceramic sheds light on life in the 17th and 18th centuries at Harvard. &#13;
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                <text>In a quiet town in the West Midlands of England in the late 1600s, a potter spins a wheel of clay. Amidst the bustling factory, he hones in on his trademark speciality, a manganese-mottled tankard. The finished product has a smooth rim, with dark purplish brown flecks and streaks of manganese (Jefferson Patterson Park and Museum 2008). Accompanied by a caramel brown lead glaze, this tankard’s elegance is found in its simplicity. &#13;
These black mugs and tankards gained popularity beginning in the 17th century (Hume 2006). Many manganese-mottled tankards journeyed from the potter’s wheel in the West Midlands to colonial towns such as Charlestown. For these young colonies, taverns were centers of community life and it is likely that a manganese-mottled tankard would have found its way there. As songs played in the background, citizens could often be found socializing over tankards of beers and smoking pipes. &#13;
The Three Cranes Tavern in Charlestown and the Goody Bradish Tavern right next to Harvard were familiar spots for many a Harvard man (Morrison 1936). The Puritan leaders of the time attempted to control drinking and smoking by outlawing them from the Harvard campus. In fact, both drinking and smoking were explicitly outlawed in the College Book of Laws (College Book 1636). When students wanted a drink, many would come to these taverns. Today, we have some records that depict what taverns in the 17th century were like. For example, Dutch painter David Teniers has manifested the frivolity and light-heartedness of taverns in his painting “Smokers and Drinkers” (Teniers 1660). These taverns were the precise antithesis of the stern and austere Harvard institution of the time. &#13;
Manganese-mottled earthenware was eventually made in the colonies, and by the 18th century, it had become much more ubiquitous. Students at the College brought their own vessels to use, and their vessel of choice often corresponded with their socioeconomic status. Manganese-mottled earthenware speaks to both the traditional table at Harvard, which was defined by scheduled meal times and socioeconomic hierarchy, and it also speaks to the other, more licentious Harvard experience that took place in taverns. Today, it is likely that sherds of manganese-mottled earthenware are located below our feet in Harvard Yard. Perhaps some originated from the West Midlands and perhaps some traces back to the Three Cranes Tavern; however, it is clear that no matter the origin, this ceramic sheds light on life in the 17th and 18th centuries at Harvard. &#13;
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                <text>“After David Teniers the Younger | Peasant Seated, Smoking and Drinking, to the Left of a Table | The Met.” The Metropolitan Museum of Art, i.e. The Met Museum. Accessed April 4, 2019. https://www.metmuseum.org/art/collection/search/376343.&#13;
 &#13;
“Diagnostic Artifacts in Maryland.” Accessed April 4, 2019. http://www.jefpat.org/diagnostic/colonialceramics/Colonial%20Ware%20Descriptions/ManganeseMottled.html.&#13;
&#13;
Harvard University. Corporation. College Book 1, 1636-1795. UAI 5.5, Accessed April 1st, 2019. Harvard University Archives.&#13;
&#13;
Hume, Ivor Noel. A Guide to Artifacts of Colonial America. Philadelphia: U of Pennsylvania, 2001. Accessed April 1st, 2019. Print.&#13;
&#13;
Morison, Samuel Eliot. Harvard College in the Seventeenth Century. Accessed April 1st, 2019. Harvard university press, 1936.&#13;
&#13;
&#13;
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                    <text>A painting of gentlemen surrounding a table-clothed table with a blue patterned punchbowl. The clear positioning of the bowl reflects its significance as an indicator of social standing. </text>
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                    <text>Unknown artist. 1732. A Midnight Modern Conversation. Yale Center for British Art, Paul Mellon Collection. &#13;
https://collections.britishart.yale.edu/vufind/Record/1671164</text>
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                <text>This small sherd of tin glazed earthenware gives an insight into the divided socio-economic nature that existed in the dining area at the college. The visible hand painted blue splotch was likely part of an elaborate Chinese floral design, which was particularly popular between 1690-1770’s (“Diagnostic Artifacts in Maryland” 2019). From the very start of college, freshmen were ranked by their social standing and perceived value to the community. This ranking stayed with them throughout their time at Harvard and affected many different aspects of their experience, including how they ate (Johnson 2017). Unlike the equal dining culture a Harvard student encounters today, there were a number of ways students were subject to varying degrees of wealth in the dining area. This became increasingly prominent during the 18th century as the growing desire for materialistic items was exemplified through the refined design of the dining table.  This sherd was likely part of an elaborate fruit bowl, put on display in the center of a Fellows' table due to its resemblance of expensive Chinese porcelain. The expensive glazing and design process of this ceramic, known as Delftware (Hume 2001), was a particularly apparent indicator of social distinction. The owner of this sherd likely inscribed their initials on the bottom of the bowl as direct evidence of their social rank. Dining at the Fellows' Table was exclusive to those who had a higher rank and were amongst the more affluent students (“Digging Veritas” 2019). </text>
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                <text>“Diagnostic Artifacts in Maryland.” Jefpat.Org. website, 2019.  http://www.jefpat.org/diagnostic/index.htm&#13;
&#13;
“Digging Veritas”. 2019. Harvard Peabody Museum website. https://www.peabody.harvard.edu/digging-veritas-exhibition&#13;
&#13;
Hume, Ivor Noel. 2001. A guide to the artifacts of colonial America. University of Pennsylvania Press. &#13;
&#13;
Johnson, Claudia Durst. 2017. Daily life in colonial New England. ABC-CLIO.&#13;
&#13;
Unknown artist. 1732. A Midnight Modern Conversation. Yale Center for British Art, Paul Mellon Collection. &#13;
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              <text>These six Rhenish stoneware sherds cross-mend. They may have been part of a jug. </text>
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                <text>This grouping of six blue on grey stoneware sherds illustrates both the extent of the European ceramic trade and the foodways of colonists in the seventeenth century. Since the sherds cross-mend and two of them have ribbed edges, this collection may have once been part of a jug or tankard. This jug would have been a gorgeous example of Rhenish stoneware from the Westerwald region of Germany. Westerwald was one of the centers of European stoneware production throughout the seventeenth century and ceramics produced there were exported throughout the rest of Europe and the English colonies. Due to the fragile nature of ceramics, it is unlikely that the early colonists brought over many with them. American production of stonewares did not really take off until the early eighteenth century, so the first few generations of colonists depended on Atlantic trade with England and the rest of Europe for their ceramic needs. It is also interesting to note the forms of ceramics present in archaeological excavations. In seventeenth century sites, such as the Old College Building, there were very few, if any, plates. Meals were taken on wooden trenchers, which were shared by two to three “trencher mates.” Ceramics were typically used either to consume or store liquids. Storage forms were eventually standardized and often had numbers incised into them to demarcate the quantity of liquid they could hold. This jug may have once held a wide variety of liquids, ranging from the beer that accompanied the students’ morning bever (light breakfast) to the wine that students drank surreptitiously in their quarters after hours. &#13;
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                <text>Sources:&#13;
Deetz, James. 1996. In Small Things Forgotten: An Archaeology of Early American Life. New York, NY: Anchor Books.&#13;
&#13;
“Diagnostic Artifacts in Maryland.” Jefferson Patterson Park &amp; Museum website. http://www.jefpat.org/diagnostic/&#13;
&#13;
"Historic Archaeology Type Collection." Florida Museum website. https://www.floridamuseum.ufl.edu/typeceramics/type/stoneware-rhenish-blue-and-gray/&#13;
&#13;
Hume, Ivor Noël. 1969. A Guide to Artifacts of Colonial America. Philadelphia, Pennsylvania: University of Pennsylvania Press.&#13;
&#13;
Images:&#13;
“Diagnostic Artifacts in Maryland.” Jefferson Patterson Park &amp; Museum website. http://www.jefpat.org/diagnostic/colonialceramics/Colonial%20Ware%20Descriptions/Rhenish.html - This is a good example of a blue on grey stoneware jug. The six sherds we found in Level 4 may have once been part of a similar jug. &#13;
&#13;
Essential Vermeer 2.0.  "The Procuress." http://www.essentialvermeer.com/catalogue/procuress.html#.XKbGgxNKgWo - This painting is interesting because it illustrates the presence of Rhenish stoneware across Continental Europe during the 17th Century. As shown by our excavations, Rhenish stoneware also made it across the Atlantic. Examples have even been found in the Spanish colonies in Florida and Central America. It is clear there was a thriving trade.&#13;
&#13;
World Menagerie. "Bakken Trencher Dough Bowl." https://www.wayfair.com/decor-pillows/pdx/world-menagerie-bakken-trencher-dough-bowl-w001200567.html/ - This modern-day trencher resembles the trenchers that Harvard students would have eaten off of in the 17th Century. Due to their construction, few, if any, trenchers have survived since the 17th century. The absence of plates in the archaeological record, however, makes it clear that trenchers were used for food consumption, instead of plates. &#13;
&#13;
&#13;
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                    <text>This is a fragment of a bottle that was found in Level 1 of Unit H961 in Harvard Yard. It is likely from a Whittemore Shoe Polish bottle given the font, lettering, and color. </text>
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                    <text>This is an ad for Whittemore's shoe polish. This is the product that the bottles were used to house. </text>
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                    <text>The fragment found in Unit H961 seems to be a piece of the bottle featuring the final two letters of "Boston". </text>
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                    <text>This is an ad placed by Max Keezer for his store in the Harvard Lampoon. It is from an issue that ran in April of 1905. </text>
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              <text>Clear glass fragment, probable sherd from Whittemore Boston bottle given letter font and placement.</text>
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                <text>Bringing the Shine Back: Uncovering a Whittemore Shoe Polish Bottle </text>
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                <text>26 August, 1909&#13;
	Sitting at the counter, the shopkeep was dozing as the airy chatter of students passing by outside lulled him to sleep. A clear bottle sits poised on the highest shelf, catching the warm afternoon light that filled Keezer’s Clothier. The door chimes signaling the arrival of a customer and startling Max Keezer awake. &#13;
	A young man enters the shop. He is the servant of Thomas Sterns Eliot, an incoming first-year student at the College. Thomas is a young man moving into Apley Court, the illustrious dorm on the famed “Gold Coast” built twelve years prior by John Howe. He is preparing the room for Eliot’s arrival later this week and is hoping to buy some Gilt Edge Dressing so he can shine his shoes before he arrives. Max Keezer nods sagely and reaches behind the counter for the bottle carefully embossed with WHITTEMORE BOSTON. The servant accepts the bottle gratefully, years of service seemingly fused in his bones. Eliot is unlikely to even notice when his shoes are shined, but he will certainly notice when they are not. He relishes this unspoken marker of his prestige above the boys in the yard, men of a different life. &#13;
	As he left with a wave, Mr. Keezer is left to ponder the life of a servant amidst the wealth and entitlement that dominates life less than a mile down the road from his very shop. He thinks about the cramped rooms and poor meals that define life as a student’s servant. This unspoken relationship between the bubbling to the top of the champagne glass for one party and the scalded and stained hands that clean that very glass at the end of the night when the toasts are over. &#13;
&#13;
&#13;
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                <text>&lt;p&gt;&lt;b&gt;Sources:&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Cambridge Chronicle Article:&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;“Cambridge Chronicle, 2 October 1897.” &lt;/b&gt;&lt;b&gt;&lt;i&gt;Cambridge Chronicle 2 October 1897 - Cambridge Public Library&lt;/i&gt;&lt;/b&gt;&lt;b&gt;, 2 Oct. 1897, cambridge.dlconsulting.com/cgi-bin/cambridge?a=d&amp;amp;d=Chronicle18971002-01.2.118&amp;amp;e=-------en-20--1--txt-txIN-------.&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This article heralds the 1897 opening of Apley Court, the only freshman dormitory on the so-called “Gold Coast”. &amp;nbsp;Students of Apley Court were wealthier and often had servants who lived with them.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Article on Student Life at 1900s Harvard&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;“Harvard 1900 – Student Life – FDR Foundation.”&lt;/b&gt;&lt;b&gt;&lt;i&gt; FDR Foundation&lt;/i&gt;&lt;/b&gt;&lt;b&gt;, fdrfoundation.org/the-fdr-suite/harvard-1900-student-life/.&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This source explicates the divide between the wealthy students who lived on the “Gold Coast” and those who lived in the yard. The more privileged students often came to Harvard with servants who would assist them with more menial tasks.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;b&gt;Cambridge Timeline:&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://kids.kiddle.co/Timeline_of_Cambridge,_Massachusetts"&gt;&lt;b&gt;Timeline of Cambridge, Massachusetts Facts for Kids&lt;/b&gt;&lt;/a&gt;&lt;b&gt;. &lt;/b&gt;&lt;b&gt;&lt;i&gt;Kiddle Encyclopedia.&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;https://kids.kiddle.co/Timeline_of_Cambridge,_Massachusetts &lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This source provides a date for the 1895 establishment of the longstanding clothing store, Keezer’s Clothier in Cambridge. This store was and continues to be a regular haunt for students.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;b&gt;Images:&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Photo and article on Whittemore Glass bottles:&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;“Whittemore Boston U.S.A. Shoe Polish Bottles.” GLASS BOTTLE MARKS, www.glassbottlemarks.com/whittemore-boston-antique-bottles/.&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Whittemore Bottle, dated between 1870 and 1930. According to the site, these bottles were most often used to house shoe polish. This provides context for who would have been buying/using the bottle. Also, gives reason for the bottle to be in Keezer’s, a store that sold luxury clothes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Keezer’s Advertisement in Lampoon&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Keezer, Max. “Keezer's Advertisement.” &lt;/b&gt;&lt;b&gt;&lt;i&gt;The Harvard Lampoon&lt;/i&gt;&lt;/b&gt;&lt;b&gt;, 20 Mar. 1905.&lt;br /&gt;https://books.google.com/books?id=RAUTAAAAIAAJ&amp;amp;pg=PA19&amp;amp;lpg=PA19&amp;amp;dq=harvard+lampoon+keezers&amp;amp;source=bl&amp;amp;ots=gMYJ4bSNWB&amp;amp;sig=ACfU3U3q-1EYBBhqwLOekF3br2iH2s_5YA&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiegOSo1rnhAhVodt8KHQ4-BGQQ6AEwAnoECAgQAQ#v=onepage&amp;amp;q=harvard%20lampoon%20keezers&amp;amp;f=false&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This advertisement from a 1904 issue of the Harvard Lampoon depicts Max Keezer asking for old clothes for his storefront on Bow Street. Keezer was likely to also have been selling shoe polish for the shoes he peddled. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;“Whittemore, Boston, French Gloss,” &lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://baybottles.com/2018/04/01/whittemore-boston-french-gloss/"&gt;&lt;b&gt;https://baybottles.com/2018/04/01/whittemore-boston-french-gloss/&lt;/b&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This website provides an amazing image of an intact Whittemore bottle. It also gives an example of Whittemore Shoe Polish ads, which is what the bottles were used for.&lt;/span&gt;&lt;/p&gt;</text>
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                    <text>a.	This pearlware plate, dated to c.1814, depicts an American scene with a continuous floral design on edge. The center illustration reflects the rising demand for American designs from the colonies, and the detail and symmetry exemplify the improvement made with transfer printing over other techniques. Also pictured in back is the Ridgway maker’s mark, a prominent Staffordshire pottery.   </text>
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                    <text>a.	This pearlware plate, dated to c.1814, depicts an American scene with a continuous floral design on edge. The center illustration reflects the rising demand for American designs from the colonies, and the detail and symmetry exemplify the improvement made with transfer printing over other techniques. Also pictured in back is the Ridgway maker’s mark, a prominent Staffordshire pottery.   </text>
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                <text>“Transfer-printed Creamware and Pearlware for the American Market”  &#13;
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                <text>“Federal Reserve Feature 30” This pearlware plate, dated to c.1814, depicts an American scene with a continuous floral design on edge. The center illustration reflects the rising demand for American designs from the colonies, and the detail and symmetry exemplify the improvement made with transfer printing over other techniques. Also pictured is the Ridgway maker’s mark, a prominent Staffordshire pottery.&#13;
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                <text>These shell fragments found in Harvard Yard tell us a little about the diet of colonial students at Harvard. Shellfish, like the oysters seen here, would have made up part of the cuisine of any student at Harvard. Cookbooks from the seventeenth century tell us how they may have been served: covered in flour and then fried. In addition, images from the eighteenth century tell us how much they would have cost: twelve pence a peck (approximately 15 pounds).  &#13;
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                <text>To frye Mussels, Perywinckels, or&#13;
Oysters, to serue with a Ducke,&#13;
or single by themselves.&#13;
&#13;
BOyle these shell-Fishes: then&#13;
flowre and frye them: then put&#13;
them into a Pipkin, with a pinte of Claret&#13;
Wine, Sinamon, Sugar, and Pepper.&#13;
Take your Ducke boyled or roasted,&#13;
and put them into two seuerall&#13;
Pipkins, if one be boyled, and the other&#13;
roasted and a little Sugar, large Mace,&#13;
and fryed toasts, stuck around about it&#13;
with Butter.&#13;
&#13;
http://www.staff.uni-giessen.de/gloning/tx/1615murr.htm&#13;
&#13;
This 1615 cookbook shows a common method of cooking shellfish. The Puritans would have had English cookbooks like this one in 17th century New England. </text>
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                <text>http://nrs.harvard.edu/urn-3:HUL.ARCH:14107855&#13;
&#13;
The Harvard Steward Records show what dining at Harvard would have been like, including the rule “That there always be two dishes for dinner.” Shellfish may have comprised one of those dishes.&#13;
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&#13;
This 1733 image shows a man selling Oysters, a common food in the period, and a common find in the Harvard Yard Excavation. </text>
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                <text>Jamie</text>
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                    <text>Brickmakers had to tread through the clay to mix it before using standardized molds to create the bricks (How to Make Bricks). </text>
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                    <text>“Center for Traditional Craft to Make Savannah Grey Bricks with Historic Homeowners Academy.” 2016. Savannah Technical College. September 29. https://www.savannahtech.edu/center-traditional-craft-make-savannah-grey-bricks-historic-homeowners-academy/.&#13;
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                    <text>This image shows a team loading wood into a brick clamp at Colonial Williamsburg. </text>
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                    <text>“Making, Baking, and Laying Bricks.” 2019. Accessed April 25. http://www.history.org/Foundation/journal/Winter05-06/bricks.cfm.&#13;
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                <text>Most colonial-era bricks were manufactured at the sites where they were used, although some were transported from England as ballast (Hume 1962, 82). Massachusetts regulations on brick production from 1670 and 1711 suggest that the industry was established early on (Carroll 1976). &#13;
&#13;
Bricks were typically produced in ovens called clamps, where uneven heat caused different brick qualities (Harris 1723, How To 2019).  Richard Neve wrote in 1736 that “The first and best sort for lasting are those which lie next the Fire, and have as it were, a Gloss on them, which proceeds from the Salt-petre inherent in them, which by the Violence of the Fire, runs and glazes them; these are called Clinkers” (Hume  1969, 81; Neve 1736, 74). These might have served a decorative purpose (Pyska 2017). Although some scholars insist clinkers were discarded (Akthar 2013), Neve’s account and other contemporary descriptions that state clinkers were “used in architecture” (Harris 1723) suggest that these bricks were utilized.  &#13;
&#13;
This specimen displays clinkers’ characteristic glossy exterior and dark body (Balme 2009, 378). Since clinkers were “eliminated” as production improved in the late 19th century (Akthar 2013, 3) and this artifact was discovered alongside a 17th century roof tile in Level 1, which suggests mixing occurred, it is likely that the brick dates to an earlier period. It may have adorned Harvard’s Indian College or the chimney of the 17th century Old College building (Davis 1890, 16), for which a foundation trench was discovered nearby. Alternatively, it might date to a later structure, like the old Harvard Hall building, which burnt down in 1764 (Saved 2001). &#13;
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                <text>Supporting Sources:&#13;
This video from Colonial Williamsburg provides a brief description of brick production:  https://www.youtube.com/watch?v=WUtEcVxaXXQ&#13;
&#13;
This is a very similar artifact that was excavated in New York. Like the HYAP brick, it displays glazing on three sides: http://archaeology.cityofnewyork.us/collection/search/south-ferry-terminal-104404-brick-fragment/keyword/vitrified%20brick&#13;
&#13;
You might also be interested in: &#13;
&#13;
Omeka #901: Brick Fragment &#13;
This brick fragment is uneven and displays dark patches along the edge. This suggests that it might also be a partially vitrified clinker. &#13;
&#13;
Omeka #859: Plinth Squint &#13;
Like clinkers, plinth squints were a special kind of decorative brick. Plinth squints were uncovered from the excavations of Harvard’s Indian College. &#13;
&#13;
Omeka #1474: Large Fragment of a Curved Roof Tile &#13;
Roof tiles, like clinker bricks, may have served a decorative and ostentatious purpose. These roof tiles can be clearly linked to Harvard’s Old College, which might also be the source of the clinker brick.&#13;
&#13;
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                <text>Akhtar, Alafia. 2013. “One Man’s Trash Is Another Man’s Treasure: The Transition of Clinker Brick from Disposable to Decorative.” Columbia University. doi:10.7916/D8HX1C1C.&#13;
&#13;
Balme, Jane, and Alistair Paterson. 2009. Archaeology in Practice: A Student Guide to Archaeological Analyses. John Wiley &amp; Sons.&#13;
&#13;
Carroll, Orville W. 1976. “Early Brick Laws in Massachusetts.” Bulletin of the Association for Preservation Technology 8 (2): 20–23. doi:10.2307/1493512.&#13;
&#13;
Davis, Andrew McFarland. 1890. The Early College Buildings at Cambridge. Worcester [Mass.]: C. Hamilton. http://tinyurl.galegroup.com.ezp-prod1.hul.harvard.edu/tinyurl/9rmU81.&#13;
&#13;
 “How to Make Bricks for a 17th-Century Tower - YouTube.” 2019. Accessed April 25. https://www.youtube.com/watch?v=WUtEcVxaXXQ.&#13;
&#13;
Hume, Ivor Noël. 1969. A Guide to Artifacts of Colonial America. Philadelphia: University of Pennsylvania Press.&#13;
Harris, John. Lexicon Technicum: Or, an Universal English Dictionary of Arts and Sciences: Explaining Not Only the Terms of Art, but the Arts Themselves. Vol.II. By John Harris, D.D. Late Secretary to the Royal Society, and Chaplain to the Lord High-Chancellor of Great Britain. 1723. The second edition. Vol. Volume 2. 2 vols. London. http://find.galegroup.com/ecco/infomark.do?&amp;source=gale&amp;prodId=ECCO&amp;userGroupName=camb55135&amp;tabID=T001&amp;docId=CW3313012729&amp;type=multipage&amp;contentSet=ECCOArticles&amp;version=1.0&amp;docLevel=FASCIMILE.&#13;
&#13;
Neve, Richard. 1736. The City and Country Purchaser’s and Builder’s Dictionary. The third edition, Corrected and improved throughout. London. http://find.galegroup.com/ecco/infomark.do?&amp;source=gale&amp;prodId=ECCO&amp;userGroupName=camb55135&amp;tabID=T001&amp;docId=CW3308483188&amp;type=multipage&amp;contentSet=ECCOArticles&amp;version=1.0&amp;docLevel=FASCIMILE.&#13;
&#13;
 Pyszka, Kimberly. 2017. “Anglican Church Architecture and Religious Identity in Early Colonial South Carolina.” Material Culture; University Center.&#13;
&#13;
“Saved from the Flames.” 2001. Harvard Magazine. May 1. https://harvardmagazine.com/2001/05/saved-from-the-flames.html.&#13;
&#13;
Schmidheiny, Martin John. 2014. “Seeing Red: Characterizing Historic Bricks at Sylvester Manor, Shelter Island, New York 1652-1735.” M.A., United States -- Massachusetts: University of Massachusetts Boston. http://search.proquest.com/docview/1650693349/abstract/90CE7DD69A234405PQ/1.&#13;
 &#13;
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                    <text>I found a piece of 17th century ceramic pipe stem along with part of a pipe bowl. Both the stem and the bowl have designs on them. The small part of the stem that we found is about two to three inches long. Half of the pipe stem is smooth with no design and the other half has a few ripples that make it textured. The pipe bowl has what looks like the initials P.E. on the flat part of the bowl. I believe that our pipe fragments are from the 17th century because “the holes in the pipe stems become smaller and smaller through the 17th and on into the second half of the 18th century (Hume 1969: 297). The hole of this pipe stem is relatively wide (look up the actual size on the excel sheet); approximately seven to nine 64th of an inch in diameter. Based on the chart in Hume, the date the pipe was made, then, was between 1620-1650 (Hume 1969:298). </text>
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                    <text>Account of Andrew Croswell</text>
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                    <text>This is an account book of a Harvard student named Andrew Croswell. He kept account of the things he purchased while he was at Harvard. Tobacco is on his list of things he purchases along with toothbrushes, fruit, pencils, and wine. This shows that tobacco was viewed as a necessity almost to some college students- if they were willing to spend their limited amount of money on it. Now, marijuana is considered a necessity to college students as well. This also verifies that students did smoke tobacco and drink wine while they attended Harvard, even though it was against school rules. </text>
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                    <text>Croswell, Andrew , 1778-1858, “Account book of Andrew Croswell, 1794-1802,” Colonial North American Project at Harvard, accessed April 30, 2017, http://colonialnorthamerican.library.harvard.edu/items/show/12076.</text>
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                    <text>This is a medical journal from 1791-1815. An entry from 1796 documents how tobacco smoke was believed to treat a person who died from drowning by “blowing smoke in the victim’s lungs.” This is just one example of how tobacco was believed by some to serve a medical purpose. It seems now that marijuana has headed down the same road. Before marijuana was legalized in some states, it was illegal with the exception of medical purposes. </text>
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                    <text>Appleton, Moses , 1773-1849 and Appleton, Moses , 1773-1849, “Commonplace book of Moses Appleton, 1791-1815 (inclusive),” Colonial North American Project at Harvard, accessed April 30, 2017, http://colonialnorthamerican.library.harvard.edu/items/show/12123.</text>
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                    <text>This source is a poem that describes a “college chamber” or dorm room at Harvard in 1744. It was written by two men- one named Thomas Handcock and the other is Richard Waterman. They wrote this poem when visiting a friend at Harvard. The poem describes the contents of the room including “pipes and tobacco” among other items like pens, paper, a broom, clothes, etc. This shows how students smoked tobacco even against school rules- similar to how students now smoke marijuana. </text>
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                    <text>Handcock, Thomas., “Description of a College Chamber (manuscript copy), ca. 1744,” Colonial North American Project at Harvard, accessed April 30, 2017, http://colonialnorthamerican.library.harvard.edu/items/show/9203.</text>
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              <text>A fragment of a pipe stem (8/64" bore diameter) and part of a bowl with the initials PD on the flat bottom of the bowl (7/64" bore diameter).</text>
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                <text>Current students at Harvard break the rules and based on our archaeological finds of pipe stems and glass bottle fragments, we can confirm that they have been breaking the rules since colonial times as well. Smoking was a common habit at Harvard all through the Colonial period and after, as demonstrated by the large number of pipe stems found in excavations of Harvard Yard. This pipe stem is one of many that are found in excavations of Harvard Yard. Based on the chart in Hume, the date the pipe was made, then, was between 1620-1650 (Hume 1969:298). The rule against smoking tobacco was instituted when the college was and carried well into the early 19th century. There are constant instances of how history repeats itself, but it appears through our discovery of this pipe stem and through records in the archives that tobacco usage in colonial times has striking similarities to marijuana smoking in contemporary times. Some of these similarities are that students hid tobacco in their rooms like students do with marijuana now, they smoke it even if it is against school policy, and both were used for medical reasons. In the rules of the college, tobacco was banned at all times except if it was used medically (Loren, 2016). Another similarity is that tobacco slowly got legalized nationally- which might be the trend of marijuana if it continues with its synchronization with tobacco. </text>
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                <text>Works Cited:&#13;
&#13;
Hume, Ivor Noel. 1970. “A Guide to Artifacts of Colonial America”. the University of Michigan: Alfred A. Knopf.&#13;
&#13;
Loren, D. D. (2016). Bodily protection: Dress, health, and anxiety in colonial New England. In The Archaeology of Anxiety (pp. 141-156). Springer New York.&#13;
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                    <text>This view is just three years after the print shop moved to University Hall (right). Here is the elm-sheltered path the type travelled across—including the location of H939!&#13;
&#13;
Source: Harvard University Archives HUV 20 7-8a. Permalink: http://id.lib.harvard.edu/via/olvwork423535/catalog </text>
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                    <text>This wood-engraving is what the early Harvard printing presses might have looked like, busy printing written exams, pamphlets, and other educational materials.&#13;
&#13;
Source: Amory, Hugh. 1989. First impressions : printing in Cambridge, 1639-1989 : an exhibition at the Houghton Library and at the Harvard Law School Library, October 6 through October 27, 1989. Cambridge: Harvard University Press.&#13;
Harvard University Archives Call Number: HUF523.589.1</text>
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              <text>No letter visible on end, one notch in side, moderately oxidized.</text>
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                <text>Printing at 19th Century Harvard: A Vignette</text>
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                <text>16 October 1889&#13;
&#13;
George stumbled, and caught himself—and his freight. President Eliot had consolidated printing in the basement of the University Hall (Hall 10). A new print shop needed a press, and a press needed type. The type had to be moved from its previous location. So—here was George, stumbling between the elms on his way from Wadsworth to University Hall, two hundred yards northeast (Hall 9). &#13;
&#13;
Box after box of type had to be transported carefully—the small lead type could escape the loose joinery of the wooden box. The job fell to George—and three co-conspirators—thanks to some inadmissible revelry at the Dartmouth game the weekend prior (1889). Normally, President Eliot would have let the delinquency slide—he encouraged the boys’ “llllllliberty,” rolling the “l” in Brahmin accent—but they timed their stunt to be of perfect help to the University (Kuehnemann).&#13;
&#13;
George minded, however, his afternoon being stripped from him. He was going to smoke with his roommate, and now that looked unlikely. His written Greek examination was tomorrow, too—though only a passing thought. He’d already seen it, anyway, thanks to the service of the college printer (Schoenberg). He was prepared.&#13;
&#13;
It was this thought, though, that caused the trip, stagger, and balancing of the type. Catching himself, he turned to check for fallen pieces. But then, they were holding the door ahead, and George really just wanted to regain his rightful “lllllllliberty.” He turned back and strode towards the grey façade of University Hall.</text>
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                <text>Bibliography&#13;
&#13;
Hall, Max. &#13;
1986 Harvard University Press: A History. Cambridge: Harvard University Press.&#13;
&#13;
“1889 Harvard Football Schedule” Webpage, http://www.gocrimson.com/sports/fball/1889-90/Schedule, accessed May 3rd, 2017.&#13;
&#13;
Schoenberg, Robert. &#13;
1954 University Press Maintains 40-Year Standards Despite Confusion With Poster, Exam Printers. The Harvard Crimson, February 3rd, 1954. Accessed online: May 3rd, 2017, http://www.thecrimson.com/article/1954/2/3/university-press-maintains-40-year-standards-despite/.&#13;
&#13;
Kuehnemann, Eugen. &#13;
2013 Charles W. Eliot, President of Harvard University (May 19, 1869-May 19, 1909). Read Books Ltd.</text>
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                <text>Colin Criss</text>
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              <element elementId="50">
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                    <text>Harvard student diary entry from 1800, recounting a drunken night at Blood’s Tavern where he hadn’t ever seen so many drunk, jovial scholars in one location.</text>
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                    <text>http://colonialnorthamerican.library.harvard.edu/items/show/7632 (seq./page 46)</text>
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                    <text>Harvard University Library. 2016b. “III. Diary, 1799.” Colonial North American Project at Harvard website. Accessed October 16, 2016. http://colonialnorthamerican.library.harvard.edu/items/show/7632.</text>
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                    <text>The orange circle indicates the location of dig site H941 where the bottom of the partial wine bottle was excavated, along with other glass, nails, and whiteware from that period.</text>
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                    <text>https://canvas.harvard.edu/courses/13486/files/folder/Readings?preview=2722853</text>
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                    <text>Stubbs, John D., Jr. “Underground Harvard: The archaeology of college life.” PhD diss., Harvard University, 1992. Accessed October 15, 2016. https://canvas.harvard.edu/courses/13486/files/folder/Readings?preview=2722853.</text>
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                <text>Although Harvard was founded with the initial goal of educating strict Puritan ministers, who would have expected an excavated wine bottle glass bottom to reveal a secular college with escapades of secret drunkenness among the Harvard scholars in later years? This glass bottle bottom dates to a period approximating 1800, based on the narrower bottle diameter, as compared to earlier years, plus the tall kickup inside the bottle bottom (Hume 1969, 68). Moreover, it likely originated from England (Hume 1969, 68). Substantial bottle glass was excavated near this item, plus other items corroborating this time period, such as cut nails, whiteware, and transfer paint. President Leverett’s tenure at Harvard during the early 1700s brought a more liberal attitude towards religion, and therefore alcohol (Morison 1986, 54). By the late 1700s, wine was sold by the Harvard Buttery, but the Book of Laws specifically prohibited the scholars from visiting taverns, and especially drunkenness (Harvard 2016a, 59). However, the Harvard scholars managed secret antics, such as the story of one student whose group of 40 visited the local tavern to get drunk, break glasses and return to their chambers in an uproar (Harvard 2016b, 46). Thus, when excavating pieces of glass, it may be a sign of a rambunctious night from years ago!</text>
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                <text>Christian Shigley</text>
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                <text>Harvard University Library. 2016a. “The Laws of Harvard College, 1798-1799.” Colonial North American Project at Harvard website. Accessed October 15, 2016. http://colonialnorthamerican.library.harvard.edu/items/show/7786.&#13;
Harvard University Library. 2016b. “III. Diary, 1799.” Colonial North American Project at Harvard website. Accessed October 16, 2016. http://colonialnorthamerican.library.harvard.edu/items/show/7632.&#13;
Hume, Ivor N. A Guide to Artifacts of Colonial America. Philadelphia: University of Pennsylvania Press, 1969.&#13;
Morison, Samuel E. Three Centuries of Harvard, 1636-1936. Cambridge, MA: Harvard University Press, 1986.&#13;
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                    <text>The Tin-Glazed Sherds</text>
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                    <text>The geometric motifs on these sherds are clearly visible in this photograph. The left one contains broader, larger geometric shapes, whereas the one on the right is more intricate. </text>
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                    <text>Photograph by Charlie Michael. May 1st 2017. </text>
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                    <text>This sherd from the 17th century shows another example of a geometric motif. One can notice the coarse brushwork and lack of attention to detail that was common among these ceramics. </text>
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                    <text>Maryland Archaeological Conservation Lab. 2002. "Colonial Ceramics - Tin Glazed". Maryland Archaeological Conservation Lab Website. Accessed May 1, 2017. http://www.jefpat.org/diagnostic/ColonialCeramics/Colonial%20Ware%20Descriptions/Tin-glazed.htm</text>
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                    <text>The kitchen in the Harvard College buttery would have looked much like this Colonial Williamsburg reconstruction, and the food would have been similar but more basic. Tin-glazed earthenware plates would have been used to consume food cooked in kitchens like this one. </text>
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                    <text>&#13;
The Colonial Williamsburg Foundation. 2016. "Kitchens" Colonial Williamsburg Website. Accessed May 1, 2017. https://www.history.org/Foundation/journal/Summer07/kitchens.cfm</text>
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                    <text>Tin-Glazed Earthenware (of the Delftware variety) on display at the Ward House sitting room. </text>
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                    <text>Tin-glazed earthenware comes in many varieties and levels of quality. The earthenwares pictured here were high-quality earthenwares with intricate glazing, and were used for display purposes, unlike the ones found in Unit H932 of the Harvard Yard excavation. </text>
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                    <text>https://wardhouse.harvard.edu/galleries/sitting-room&#13;
The Harvard Ward House Museum.</text>
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              <text>Two tin-glazed earthenware sherds, likely part of plates. Both are earthenware of medium refinement. </text>
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                <text>Joseph Browne, Harvard Class of 1666&#13;
&#13;
These fragments are from two plates that I broke in 1664 during my sophomore year at the College. My friends and I may have had too much rum, and our rowdiness got rather out of hand. We thought it would be enjoyable to have a competition of bowling on our dormitory, but since we had no bowling balls we decided to use our plates instead. We used thin books as the pins, and rolled our plates towards them. I must have rolled mine rather hard, as it went flying down the floor, hitting the wall with a large crash. Pieces scattered all around, and I was saddened to see my favorite plate suffer such a horrid end. You see, my father had bought me this plate in Boston before my first year of College. Every student brings their own plate to the College to consume their meals with, and I had formed quite an attachment with mine. I was a large fan of the geometric blue design, as it was very popular during that time. It was a cheap English-manufactured plate, and my father had told me to be gentle with it as it was liable to shatter easily. I didn’t mind its cheapness or its fragility, as at the time I believed it looked just like a piece of fine China. But now, seeing its ruined and shattered pieces, I can finally see that it is far from being Chinese porcelain — it’s merely coarse clay glazed in white and fired. &#13;
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                <text>Morison, Samuel E. 1936. Three Centuries of Harvard, 1636-1936. Cambridge, MA: Harvard University Press.&#13;
&#13;
Maryland Archaeological Conservation Lab. 2002. "Colonial Ceramics - Tin Glazed". Maryland Archaeological Conservation Lab Website. Accessed May 1, 2017. http://www.jefpat.org/diagnostic/ColonialCeramics/Colonial%20Ware%20Descriptions/Tin-glazed.html&#13;
&#13;
The Colonial Williamsburg Foundation. 2016. "Kitchens" Colonial Williamsburg Website. Accessed May 1, 2017. https://www.history.org/Foundation/journal/Summer07/kitchens.cfm&#13;
&#13;
Hume, Ivor Noel. 1970. “A Guide to Artifacts of Colonial America”. the University of Michigan: Alfred A. Knopf.&#13;
&#13;
Sears, Lorenzo. 1912. John Hancock: The Picturesque Patriot. Boston, MA: Little, Brown.&#13;
 &#13;
Unger, Harlow Giles. 2000. John Hancock: Merchant King and American Patriot. New York: John Wiley &amp; Sons.&#13;
&#13;
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                    <text>These broken shards come from the stem and base of an 19th century dark green wine bottle. We were able to date it by estimating the circumference of the base. Students at the college would have stored and drank this wine despite specific rules against doing so set by the University.</text>
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                    <text>http://woodsrunnersdiary.blogspot.com/2014/08/18th-century-bottles-and-cork-stoppers.html.</text>
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                    <text>Sketch of the development of wine bottle shapes and sizes over time. Our particular artifacts came from an early 19th century bottle. The shape and color of the bottle would have prevented souring of the wine and more compact storage.</text>
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                    <text>http://greatwinenews.com/an-18th-century-cult-wines-revival/</text>
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                    <text>This painting depicts early American drinking culture. Even though those pictured aren't Harvard students, we can imagine that they would have been similarly pleased to be imbibing some forbidden wine during off time from their studies.</text>
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                    <text>An example of an fully in-tact early 19th century wine bottle with a long neck and body, made of dark green glass. Students of the time would have stored their wine in these bottles.</text>
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                    <text>http://collections.museumoflondon.org.uk/online/object/443877.html</text>
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                <text>Works Cited:&#13;
&#13;
"An 18th Century Cult Wine's Revival." Great Wine News. Accessed May 02, 2017. http://greatwinenews.com/an-18th-century-cult-wines-revival/.&#13;
&#13;
Burgess, Keith H. "A Woodsrunner's Diary." 18th Century Bottles and Cork Stoppers. Accessed May 02, 2017. http://woodsrunnersdiary.blogspot.com/2014/08/18th-century-bottles-and-cork-stoppers.html.&#13;
&#13;
Hume, Ivor Noël. A Guide to Artifacts of Colonial America. Philadelphia, PA: University of &#13;
Pennsylvania Press, 2001.&#13;
&#13;
"Wine Bottle." Museum of London | free museums in London | things to do in London. Accessed May 02, 2017. http://collections.museumoflondon.org.uk/online/object/443877.html.</text>
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                <text>5th December, 1824&#13;
&#13;
Ezekiel has recently procured some wine for the feast tonight. We have to make sure to dispose of the bottles discretely once we have finished, as we want neither the masters nor the tutors to discover that we have been clandestinely imbibing alcohol. Perhaps we ought to bury it in the yard. This will be our last celebration together before we each make the journey home for Christmastime. In my forefathers’ time I would have solely trained to have been a minister, and might have even presided over mass during these winter months – but I have other ideas for myself once I complete my education. I seek a life of adventure, passion and meaning; this is due, no doubt, to the influence that the new school of thought, transcendentalism, has had over me. I do not feel it to be intrinsically evil to seek out the pleasure that God has made possible for men to feel; I believe there is good in all natural things, including the drinking of wine. So long as Jesus himself drank it, it is good enough for me. I feel my spirit is stifled by the institution that I am a part of; its piety and stringency poison my soul and run contrary to what I know in my heart to be true; that the way to know God and to be good is to not deny the beauty of nature and the wonders of his creation, but to embrace them.&#13;
&#13;
John Edward Willis&#13;
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                <text>James Hubbard, an upper class student at Harvard, was alleviated from the pains from being poor, but still faced the struggles of contracting diseases like every other member of society. In the late 1700s, Hubbard was diagnosed with smallpox. He found himself carrying a green, tubular pharmaceutical bottle that held ailments that would apparently make him feel better. The free-blown pharmaceutical phial that Hubbard held was similar to many that were made in the 18th century, with a short neck, sloping and narrow shoulder, and a shallow kick-up base. Luckily, Hubbard did not have to travel far to gather his medication from a lecturer at the Harvard Medical School, Dr. Lynman Spalding. The founder of the first pharmacopeia and a major contributor to the smallpox vaccine, Spalding was the most qualified doctor of Cambridge at the time. Therefore, Hubbard had to trust that Spalding’s concoction of elixir vitriol, Jamaica pepper, cinnamon, and ginger placed inside his green-glassed bottle was going to make him feel better. Most of the medical treatments used for Harvard students, and for the colonies over all, was done by trial and error and included many absurd treatments like extreme bleeding, purging, and even leeching. &#13;
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                <text>A brief history of pharmacy: humanity's search for wellness. (2016). Choice Reviews Online, 53(11).&#13;
doi:10.5860/choice.196974&#13;
&#13;
Davies, P., Crook, P., &amp; Murray, T. (2013). An archaeology of institutional confinement: the Hyde Park Barracks, 1848-1886. The University Of Sydney, N.S.W.: Sydney University Press.&#13;
&#13;
Gibson, J., &amp; Evans, J. (1985). Some Eighteenth-Century Pharmaceutical Vessels from London. Post-Medieval Archaeology, 19(1), 151-155. doi:10.1179/pma.1985.007&#13;
&#13;
Pharmaceutical Glass in Post-Medieval London: a Proposed ... (n.d.). Retrieved May 2, 2017, from https://www.bing.com/cr?IG=47EC3DB93DB94FF4ADA56A77A93F6137&amp;CID=12E6E583424962000047EFF543D96312&amp;rd=1&amp;h=OfYl7_N_t5hCaDrgfcfID_Lo6Hvz3MA4NLfOxEYTcp0&amp;v=1&amp;r=https%3a%2f%2fwww.researchgate.net%2fpublication%2f265852181_Pharmaceutical_Glass_in_Post-Medieval_London_a_Proposed_Typology&amp;p=DevEx,5062.1&#13;
&#13;
https://iiif.lib.harvard.edu/manifests/view/drs:53118936$19i&#13;
&#13;
https://iiif.lib.harvard.edu/manifests/view/drs:53371711$4i</text>
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